{"id":597377,"date":"2026-06-03T20:36:25","date_gmt":"2026-06-03T20:36:25","guid":{"rendered":"https:\/\/www.olympiajournal.com\/news\/story\/597377\/marisela-rondn-the-wardrobe-stylist-standing-out-in-emmy-goya-and-platino-recognized-productions.html"},"modified":"2026-06-03T20:36:25","modified_gmt":"2026-06-03T20:36:25","slug":"marisela-rondn-the-wardrobe-stylist-standing-out-in-emmy-goya-and-platino-recognized-productions","status":"publish","type":"post","link":"https:\/\/www.olympiajournal.com\/news\/story\/597377\/marisela-rondn-the-wardrobe-stylist-standing-out-in-emmy-goya-and-platino-recognized-productions.html","title":{"rendered":"Marisela Rond\u00f3n, the Wardrobe Stylist Standing Out in Emmy, Goya, and Platino Recognized Productions"},"content":{"rendered":"
The Venezuelan wardrobe stylist based in Miami elevates visual storytelling through a signature approach that blends creative excellence, technical rigor, and environmental awareness.<\/div>\n

\"\"<\/p>\n

MIAMI, FL – Jun 3, 2026 –<\/strong> Marisela Rondón is a wardrobe stylist and costume designer for audiovisual productions. Working behind the scenes, she builds the on-screen image of characters: defining looks, managing changes, and solving last-minute challenges so everything works seamlessly on camera without slowing down production. Based in Miami, Rondón has established herself as a creative force capable of translating a script or concept into a cohesive visual proposal—balancing artistic detail with the real-world logistics of a shoot.<\/p>\n

Her method combines rigorous pre-production (research, references, fittings, continuity, and change planning) with efficient execution on set, where speed and adaptability are essential. “More than thinking of wardrobe as ‘clothing,’ I see it as a narrative tool: it tells who a character is, where they come from, and where they’re going,” Rondón explains. “Every visual decision adds information to the story and helps build a believable identity for the screen. Pre-production is what makes it possible for everything to flow on shoot day, so wardrobe supports the story instead of becoming an obstacle.”<\/p>\n

With more than two decades of experience in the audiovisual industry, Rondón developed a strong foundation in advertising in Venezuela and Ecuador, and since 2017 has expanded her work in Miami into larger-scale audiovisual productions, joining creative teams across film, television, and music projects.<\/p>\n

\"\"<\/p>\n

Recognized Projects and International Reach<\/strong><\/p>\n

Rondón’s work appears in productions that have circulated in major festivals and high-profile industry spaces. Among her recent credits is her work as wardrobe stylist on “Simón” (2023)<\/strong>, where she was part of the team responsible for developing and maintaining the characters’ visual identity throughout production. The film has been recognized internationally, including milestones such as nominations for Best Ibero-American Film<\/strong> (Goya Awards 2024) and Best Ibero-American First Feature<\/strong> (Platino Awards), as well as audience awards and recognition at festivals such as Heartland<\/strong> and Dallas<\/strong>.<\/p>\n

In television, she contributed to “La Fuerza de Creer: Dulce Sazón” (2023)<\/strong>, supporting wardrobe execution, development, and continuity for the characters. The educational and social-impact series received recognition at the Children’s & Family Emmy Awards<\/strong> (winner and nominee), as well as awards from the Telly Awards<\/strong> and Communicator Awards<\/strong>.<\/p>\n

In music and entertainment, her work has been present in internationally distributed productions. Rondón has collaborated on projects associated with artists such as Alejandro Sanz, Maluma, Nicky Jam, Manuel Turizo, Sebastián Yatra, Anuel AA, and Beéle<\/strong>, among others—contributing visual coherence and continuity in shoots that demand precision, pace, and high production standards.<\/p>\n

\"\"<\/p>\n

What a Wardrobe Stylist Does on a Set (In Simple Terms)<\/strong><\/p>\n

In an audiovisual production, wardrobe is a team effort, but a wardrobe stylist typically leads key responsibilities such as:<\/p>\n

\u25cf Defining a character’s visual identity based on the script, direction, and references.<\/p>\n

\u25cf Selecting, purchasing, or building garments and accessories according to the concept.<\/p>\n

\u25cf Coordinating fittings, alterations, and changes (sometimes multiple times per day).<\/p>\n

\u25cf Maintaining continuity across scenes and shoot days (so everything “matches” on camera).<\/p>\n

\u25cf Solving on-set challenges quickly and creatively (weather, script changes, talent needs).<\/p>\n

This balance between creativity and operations is part of what distinguishes Rondón’s work on demanding sets.<\/p>\n

Creativity Under Pressure: On-Set Solutions<\/strong><\/p>\n

Rondón emphasizes that her approach is rooted in anticipation and flexibility. One example took place during the shoot for “Eavemaria” (Nanpa Básico and Camilo)<\/strong>, when a last-minute creative change required a Greek-inspired silhouette for a scene:<\/p>\n

“I coordinated with the art department, sourced a canvas-type fabric, and built an improvised piece on set over the model. The result worked very well on camera and enhanced the scene without stopping the shoot.”<\/p>\n

Sustainability-Driven Wardrobe: Reuse, Customization, and Education<\/strong><\/p>\n

In her on-set work, Rondón promotes and incorporates the reuse, intervention, and transformation of second-hand garments as a creative resource. This approach supports productions with specific needs while enabling original visual proposals, optimizing resources, and leveraging existing elements to build new visual identities with a distinct character.<\/p>\n

“Seeing second-hand clothing not as discard but as creative possibility changes the conversation,” Rondón notes. “My goal is that, whenever possible, a meaningful portion of wardrobe comes from reused or transformed pieces—and I’d like this approach to grow in educational and community spaces as well.”<\/p>\n

Industry Recognition<\/strong><\/p>\n

Producers and directors have highlighted the impact of her work on production value and visual coherence.<\/p>\n

“As a producer, I deeply value people who understand that wardrobe doesn’t just accompany a story… it elevates it. Marisela has that rare talent of turning ideas into visual identity, always with sensitivity, intention, and so much style. Working with her means knowing every detail adds magic to the final result,” says Dubraska Requena Arias<\/strong>, Executive Producer.<\/p>\n

Additional testimonials underline her ability to elevate aesthetic proposals, maintain operational efficiency, and sustain resource-optimizing solutions—combining creative judgment with production discipline.<\/p>\n

\"\"<\/p>\n

Next Steps: Creative Expansion from Miami<\/strong><\/p>\n

Over the next 2–3 years, Rondón aims to strengthen and expand her company, MRM1201 Group LLC<\/strong>, as a creative studio specializing in wardrobe, textile development, accessories, and visual proposals for audiovisual productions, commercial projects, and artistic work. Her goals include developing workshops and sustainability initiatives, supporting educational and mentorship programs, and providing specialized support to international productions filming in Miami—integrating pre-production, local references, and solutions adapted to the city’s market.<\/p>\n

About Marisela Rondón<\/strong><\/p>\n

Marisela Rondón<\/strong> is a wardrobe stylist and costume designer with more than two decades of experience in the audiovisual industry. Her background spans film, television, music videos, and commercial productions, collaborating with brands, production companies, and internationally recognized artists. Her work is defined by rigorous pre-production preparation, a narrative approach, and strong on-set adaptability. She is currently based in Miami and participates in national and international audiovisual projects.<\/p>\n

For media inquires please contact:<\/strong><\/p>\n

Website: https:\/\/mariselarondonstylist.com\/ <\/a><\/p>\n

Instagram: @mariselarmstylist<\/strong><\/p>\n

Email: mariselarm@gmail.com<\/strong><\/p>\n

Media Contact<\/span>
Company Name:<\/strong> MARISELA ROND\u00d3N<\/a>
Contact Person:<\/strong> MARISELA ROND\u00d3N
Email:<\/strong> Send Email<\/a>
Country:<\/strong> United States
Website:<\/strong> https:\/\/mariselarondonstylist.com\/<\/a><\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

The Venezuelan wardrobe stylist based in Miami elevates visual storytelling through a signature approach that blends creative excellence, technical rigor, and environmental awareness. MIAMI, FL – Jun 3, 2026 – Marisela<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.olympiajournal.com\/news\/wp-json\/wp\/v2\/posts\/597377"}],"collection":[{"href":"https:\/\/www.olympiajournal.com\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.olympiajournal.com\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.olympiajournal.com\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.olympiajournal.com\/news\/wp-json\/wp\/v2\/comments?post=597377"}],"version-history":[{"count":0,"href":"https:\/\/www.olympiajournal.com\/news\/wp-json\/wp\/v2\/posts\/597377\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.olympiajournal.com\/news\/wp-json\/wp\/v2\/media?parent=597377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.olympiajournal.com\/news\/wp-json\/wp\/v2\/categories?post=597377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.olympiajournal.com\/news\/wp-json\/wp\/v2\/tags?post=597377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}